- “Virgin of the Rocks” which is also named as “Madonna of the Rocks” is a single of the Late Renaissance paintings of Leonordo Da Vinci.
- The painting was sketched by Leonardo da Vinci in two versions 1 painting typically hangs in the Louvre, Paris, and the other in the National Gallery, London.
- Leonardo painted both of the versions in Milan, exactly where he had moved from Florence.
- Both of the paintings show the Madonna and Christ Child with the infant John the Baptist and an angel, in a rocky setting which gives the paintings their usual name.
- “Virgin of the Rocks” is painted in oils on wooden panel. The height of each of the paintings is of two meters.
- Mary, which is generally dignified as the queen of heaven. In “Virgin of the Rock” Mary is seated on the ground. This type of representation of Mary tends to make her a symbol of humbleness.
- Each versions of “Virgin of the Rocks” have remained below fantastic debate and research by the historians. The Louvre version is considered as the complete creation of Leonordo although the National Gallery London version is nonetheless the supply of some doubts.
- The legend related with “Virgin of the Rocks” is an allegorical meeting amongst the infant Jesus and John the Baptist on the flight into Egypt. Mary who is seated at the centre of the composition with Jesus is shown with the angel Uriel whose arm is raised in blessing John’s hands are fastened for prayer.
- The periods of each of the versions of “Virgin of the Rocks” are like this The pattern of the Louvre version belongs more to the 1480’s and it was completed early in 1490. Even though the London version is assumed to be completed in 1506.
- “Virgin of the Rocks”, is an additional Da Vinci painting that makes an look in The Da Vinci Code book. According to The Da Vinci Code, the baby on the left is truly Jesus and is shown praying to John. Mary appears to be holding a phantom head, which Uriel is cutting off at the neck.
- The current restoration project for Leonardo da Vinci’s “Virgin of the Rocks” or “Madonna of the Rocks” has revealed new specifics and suggests the Renaissance artist may have painted the whole image himself, alternatively of with his assistants as previously thought.
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